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Barletta D., La tela delle tele, Maddaloni 2022

The book is set in Maddaloni and narrates the adventure that writing, as an art form can offer, if you add an extraordinarily important substance, that is the study that led it to publish it on the canvas of the large hall of the National Convitto Giordano Bruno, the largest eighteenth-century canvas in the world. The book starts with a Mak Π from the 1960s, officiated in the boarding school at a time when high school parties were an institution. The particular discovery of a high school student in love, which took place on March 18, 1964, will drag the reader back in time, taking him by the hand in the adventure of creating the mammoth canvas and its frame, both made in the mid-eighteenth century by the Funaro brothers. Thus he will travel along the part of time following the realization of the canvas and beyond, throughout the nineteenth and early twentieth centuries, in a whirlwind historical overview, in pursuit of a secret concerning the famous canvas, and then bring back the reader in 1964, from which the whole story starts. Once again fantasy and reality come together.

IL BAMBÙ COME MATERIALE DA COSTRUZIONE STRUTTURALE ECOSOSTENIBILE. L’IMPIEGO ESTESO AL CAMPO DEI MATERIALI COMPOSITI

Foresta di bambù di Arashiyama, Kyoto, Giappone.

The Bamboo is one of the oldest building materials used by man, due to its cheapness, variability and flexibility, capable of ranging from domestic to industrial productions. In many countries of the tropical belt, its use has always been strongly linked to the production of handicrafts, but also of numerous other objects and works, such as the scaffolding of skyscrapers, the needles of phonographs, regulators, aircraft coatings and, in small percentages, of bicycles, airships, windmills, scales, retaining walls, ropes, cables. In the last seven thousand years, it has also been widely used in structural engineering for the construction of bridges and houses in the densely populated regions of the aforementioned tropical belt.

UN APPROCCIO OLISTICO AI BENI CULTURALI E DEL PAESAGGIO. IL PARTENARIATO PUBBLICO-PRIVATO

The landscape and the cultural heritage represent a whole from a constitutional point of view and exist around man, united by an unavoidable and typical element: "beauty". Beauty understood in its subjective, historical and philosophical meaning, but also as an evocative of amazement and wonder. It is precisely from this point that we should start to design a new approach to the issue of cultural and environmental heritage, overcoming the tendency to ask ourselves, usually, the same dichotomous question in dealing with issues related to the enhancement of landscape or cultural heritage: scientific or managerial approach? In fact, protection, enhancement and use, wanting to give an example that recalls other areas of knowledge, represent three different states of the same matter that live their own life only when they are observed individually.

L’INSEGNAMENTO DEL RESTAURO E DELLA STORIA DELL’ARCHITETTURA NEI CORSI INTERNAZIONALI. L’ESPERIENZA DELLA LAUREA MAGISTRALE IN ARCHITETTURA/RESTAURO DELLA SAPIENZA DI ROMA

The contribution describe, albeit briefly, the evolution over time of the Master's Degree Course in Architecture (Restoration) of the Sapienza University of Rome, above all in order to stimulate a constructive reflection on the quality of the current educational path, for to be able to train architects, specialists and restorers in an increasingly adequate way. In fact, new choices are expected in a short time that could be challenging, both because in recent decades, in the face of constant cultural and social growth, the problem of the protection of architectural heritage in Italy and in the world has become increasingly felt and current, and because of the current world crisis situation due to the ongoing pandemic.

ISLANDS OF OBLIVION PONZA, PAESAGGI E ARCHITETTURE NEGLI SCRITTI DI NORMAN DOUGLAS

In July 1908, the Austro-Scottish novelist Norman Douglas embarked from Ischia to island of Ponza: presented a few years later on the pages of The English Review, the passionate narration of that brief and intense experience – lived in a necessarily spartan way between poignant beauty natural landscapes and the simple island buildings – enjoyed greater fame only after the publication of Summer Islands, in 1931, and Late Harvest in 1946, contributing decisively to the affirmation of the image of Ponza as the place of archaicity and innocence.

ANTICHITÀ E BELLE ARTI NELLO STATO…

E LE CAVE CONTINUANO A FUNZIONARE. …

IL COMPLESSO BERNARDINO TELESIO A C…

La chiesa di San Rufo Martire

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Barletta D., La tela delle tele, Maddaloni 2022

IL BAMBÙ COME MATERIALE DA COSTRUZIONE STRUTTURALE ECOSOSTENIBILE. L’IMPIEGO ESTESO AL CAMPO DEI MATERIALI COMPOSITI

UN APPROCCIO OLISTICO AI BENI CULTURALI E DEL PAESAGGIO. IL PARTENARIATO PUBBLICO-PRIVATO

L’INSEGNAMENTO DEL RESTAURO E DELLA STORIA DELL’ARCHITETTURA NEI CORSI INTERNAZIONALI. L’ESPERIENZA DELLA LAUREA MAGISTRALE IN ARCHITETTURA/RESTAURO DELLA SAPIENZA DI ROMA

ISLANDS OF OBLIVION PONZA, PAESAGGI E ARCHITETTURE NEGLI SCRITTI DI NORMAN DOUGLAS

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