Starting from the recent intention of the Italian Prime Minister to include the environmental protection in the Italian Constitution, the article speaks about the lack of environmental protection in the Italian Constitution and analyzes the articles 2, 9 and 32 that – with an extensive interpretation – have guaranteed and guarantee an indirect constitutional protection to the environmental theme. An overview is given of the environmental safeguards present in more recent constitutions than the Italian one and in reformed constitutions of different geographical areas (South America, Africa, India, main European Countries), more in the European Treaties. At the end the text presents an author’s proposal to reform the Italian Constitution to insert the environmental protection both in the Fundamental Principles (art. 9) and in the First Part concerning Rights and Duties of citizens (art. 32 and 54).
Mario Anzevino
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powder pigments with chosen refined linseed oil to a stiff paste consistency and
grinding it by sturdy friction in steel roller mills. Some artists have combined coarsely grained materials with their
colours to create new textures, some have used oil paints in much heavier thicknesses than before,
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In his work a single brushstroke can successfully depict type;
cumulative strokes give nice textural depth, combining the
rough and the graceful, the thick and the skinny.
The usual is a easy, buttery paste, not stringy or lengthy or
tacky. Within the 16th century, oil colour emerged as
the basic painting materials in Venice.
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